On a still night in 1876, Seth Bullock executes a man. He hangs him out in front of his jail, from the rafters while a mob demands that the thief be handed over to them for their own version of justice and/or revenge. It’s Bullock’s job as the marshall to perform this act of justice but it’s one that he doesn’t want anymore. There are so many ways this night would be easier for Bullock; he could hand the man over to the mob or he could consider the thief’s propositions for his quick and speedy release with the promise of stolen riches on the way to their mutual destination of Deadwood, a small town well outside of the United States’ borders. Just like Bullock, the dead man’s plan was to head to Deadwood to meet his glorious future there. “No law at all… in Deadwood,” the man ponders, thinking about the promise of that place while realizing his own mortality awaits him. The horse thief doesn’t make it out alive of even the first 10 minutes of this series but he exists as a perfect little microcosm of the hope and reality of what Deadwood could and would be.