Everybody wants to be Captain America– thoughts on Gilbert Hernandez’s Marble Season

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Our childhood feels timeless, especially when you’re older and looking back at it. But even when you are smack dab in the middle of it, the days go on forever and blend together. You remember those times and you know everything happened on different days, maybe even different years, but all of those experiences exist in an eternal day that never ended. In Marble Season, that’s how Gilbert Hernandez tells Huey’s story. It hardly feels like any time passes even though Hernandez very deliberately but quietly shows us all of the different days of Huey’s childhood. He draws all of these visual clues that show us that we’re constantly moving forward in time, one experience at a time. The weather changes. Characters wear different clothes. Friendships evolve. While it may seem like all of the days blend together, Hernandez that the days of our childhood were just as limited as our time now. And maybe we need to learn to cherish our time and memories of today just like we do our childhood.

Rebuild all your ruins– thoughts on Helheim #2 by Bunn and Jones

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I never thought that the barbarian at the gates would be Joelle Jones or Nick Filardi. Drawing a Viking Frankenstein’s monster, Joelle Jones’ brimming with life style, full of men with sharply defined muscles and even manlier grimaces, makes Helheim #2 a visceral book, taking Bunn’s bloody and violent story and presenting it as a study of axes to the head of unsuspecting animals and heroic dismemberment. As if that wasn’t enough, Filardi’s deep, blood red skies create an ominous and threatening environment. This isn’t a subtle story but Jones and Filardi choreograph the characters so that we experience the ballet and devastation of battle.

You probably wouldn’t remember- Mind MGMT Volume 1: The Manager

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Matt Kindt knows a secret and he wants to tell it to you. Two years ago on Flight 815, everyone lost their memories. They didn’t know who or even where they were, including the pilots. Once the plane safely landed, all the passengers were accounted for except for one; the mysterious Henry Lyme. He got on the plane he supposedly never got off of it. Well, that’s not quite how the book begins but it’s close. In the actual first pages, Kindt shows us mayhem and murder. He draws what looks like a war with no actual context and leaves us with these haunting words, “You’re creating the dream.” In Mind MGMT Volume 1: The Manager, Kindt tells us the secrets of Flight 815, Henry Lyme and Meru, a successful first-time author who is trying to figure out what her second book will be. He just hopes that you don’t remember their secrets in the end.

Parents just don’t understand– Jupiter’s Legacy #1

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Mark Millar and Frank Quitely take us to the early days of the Great Depression, when Americans were looking for some kind of meaning after the Stock Market crash. For a small group of patriots led by Sheldon Sampson, that meant travelling the world to follow a compulsion. Drawn to a distant African island, Millar and Quitely don’t show us anything that happens on the island but but they leave us with these words: “Superheroes were the summit of American aspiration and so our children grew up to remind mankind of everything we could ever hope to be.” It’s the hope and dream of superheroes.

Wolverine can suck it– thoughts on All New X-Men #10

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It’s kind of amazing that most of Brian Michael Bendis’s techniques that eventually made his Avengers run a forgettable slog is working so sharply in his X-Men work. I think I spent years of my life waiting for his Avengers run “to get better.” As he tried to redefine that team for the 21st century, there was a lot of potential in that scrappy, ragtag team that had Luke Cage, Spider-Man and Wolverine on it. There was almost always the chance for it to be great but something always held it back and that was a lot of run of the mill art, the constant cycle of event storytelling and Bendis’ own quirky storytelling that never flowed half as well as he must have thought that it did.

The Funny Pages- Corpse On The Imjin and Other Stories by Harvey Kurtzman

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Since getting Fantagraphics’ CORPSE ON THE IMJIN AND OTHER STORIES BY HARVEY KURTZMAN, I’ve been obsessing about the man’s artwork. Mostly chalked up to a sad lack of access to the work, Kurtzman has been a name that I’ve known and could identify images that he’s drawn but I never took the time to really look at the way he told a story, particularly his war stories.

The name is Solo. Ania Solo – thoughts on Star Wars Legacy: Prisoner of the Floating Planet #1

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With all the news of news Star Wars movies, the future of a galaxy far, far away is already being in Star Wars Legacy: Prisoner of the Floating World #1. With the galaxy once again united, the Sith operates on the fringe, where communication with the central empire is haphazard if not nonexistent. An Imperial Knight sent to the fringe to establish a communications array is ambushed by a Sith master and his traitorous apprentice. Also operating in the fringe is a junk collector with a familiar surname, Ania Solo. There’s nothing particularly special about this girl other than a tough, spunky attitude that helps her survive among scoundrels and thieves. When she finds a light saber among some scavenged junk, she doesn’t see a legacy or a piece of her ancestral past; she sees the mother-lode payday that will finally get her off of a backwater planet.

Watching for lies– thoughts on The Private Eye by Vaughan & Martin

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Facebook. Twitter. Linked In. Blogs. Webcams. TMZ. There’s no such things as privacy anymore. Everyone knows everything about everyone else. Imagine if that was gone tomorrow and everything we’ve come to consider as “real” about the internet just went poof. What if we all had our privacy back and then the true power in the world become the people who knew how to discover the secrets? Patrick Immelmann, a codeword as much as it is an alias, is one of those people. Even worse, he’s the paparazzi, taking pictures and tracking down old loves from the bushes outside of high rise apartments. It’s a risky job but when a woman comes to Patrick, wanting him to discover what secrets are hidden in her closet, Brian K. Vaughan and Marcos Martin dance with every private eye movie cliche even the world they play in looks nothing like those old black and white movies.

Art Appreciation– Eduardo Risso’s SPACEMAN

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Eduardo Risso is an artist who can make an apocalyptic New York (or really is it any other major metropolitan American city) look more foreign and inhospitable than Mars. In Spaceman, Brian Azzarello structures the story around two time periods, the “present” where a genetically engineered man-child Orson scavenges the rising seas for a living until he stumbles across the kidnapping of a child reality star, and the past where Orson is part of a team of similarly engineered mutants charged with exploring Mars until they stumble on a deposit of gold in the Martian soil. Charged with transporting the audience to both settings, Risso and colorist Patricia Mulvihill create a familiar but uncomfortably altered city that feels as alien as the barren wastes of Mars.